The Painter's Honeymoon

The Painter's Honeymoon
the polish rider
The Sacrifice of Abraham painting
The Three Ages of Woman
¡¡¡¡Sometimes, of an evening, when I was at home and at work - for I wrote a good deal now, and was beginning in a small way to be known as a writer - I would lay down my pen, and watch my child-wife trying to be good. First of all, she would bring out the immense account-book, and lay it down upon the table, with a deep sigh. Then she would open it at the place where Jip had made it illegible last night, and call Jip up, to look at his misdeeds. This would occasion a diversion in Jip's favour, and some inking of his nose, perhaps, as a penalty. Then she would tell Jip to lie down on the table instantly, 'like a lion' - which was one of his tricks, though I cannot say the likeness was striking - and, if he were in an obedient humour, he would obey. Then she would tak
oil paintinge up a pen, and begin to write, and find a hair in it. Then she would take up another pen, and begin to write, and find that it spluttered. Then she would take up another pen, and begin to write, and say in a low voice, 'Oh, it's a talking pen, and will disturb Doady!' And then she would give it up as a bad job, and put the account-book away, after pretending to crush the lion with it. ¡¡¡¡Or, if she were in a very sedate and serious state of mind, she would sit down with the tablets, and a little basket of bills and other documents, which looked more like curl-papers than anything else, and endeavour to get some result out of them. After severely comparing one with another, and making entries on the tablets, and blotting them out, and counting all the fingers of her left hand over and over again, backwards and forwards, she would be so vexed and discouraged, and would look so unhappy, that it gave me pain to see her bright face clouded - and for me! - and I would go softly to her, and say: ¡¡¡¡'What's the matter, Dora?'